Lauren Kop
Lecturer in Music Industry (Digital Production and Beat Design) , Music Industry

As a producer, DJ, vocalist, and composer, LA native Lauren Kop has cultivated a vivid musical aesthetic and gained the respected roles of mentor and emerging talent within their community. Blending musical styles and drawing inspiration from 80s, Y2K pop, R&B, and dance influences, Lauren has written, produced, and released multiple EPs and an album under the artist name mini bear. Passionate about community building and helping to create opportunities and representation for folks of marginalized genders as producers, they’ve taught music production at Girl’s Rock camp and IO Music Academy, and they are the Chief Education Officer at FEMME HOUSE, a 501(C)  whose mission is to create opportunities for women and gender-expansive creatives in the technical areas of music.

An avid Ableton Live user and synth maven, they have collaborated with companies such as Moog, Ableton, Apogee, Splice, and BandLab. They were featured in Patch & Tweak with Moog, the ultimate book resource for synth enthusiasts, released sample packs for Splice and BandLab, and created a demo song for the app Ableton Note. With years of experience and dedication to mastery of Ableton Live and music production, their passion for sharing their expertise and empowering producers has led them to teaching workshops and courses that focus on maximizing creative potential through technology.

Tony Brancato
Guest Lecturer in Music Industry (Influence and Data Mining)
Judith Finell
Adjunct Professor in Musicology (Forensic Musicology)
Catherine Provenzano
Assistant Professor of Musicology, Music Industry (Critical and Contemporary Perspectives on Music Technology)
Don Franzen
Adjunct Professor of Music (Music and Law, Forensic Musicology)
Thomas Hodgson
Assistant Professor of Musicology, Music Industry (Music and Data, Global Music Industry)
Jeffery Jampol
Lecturer in Music Industry (Artist Management and Promotion)
Amy Kathryn Kuney
Lecturer in Music Industry (Songwriting)
Lee John
Lecturer in Music Industry (Rock/Pop Ensemble)
Allison Wolfe
Lecturer in Music Industry (Music Journalism, Audio Storytelling)
Justin Paul
Lecturer in Music Industry
Dae Bogan
Lecturer in Music Industry (Entrepreneurship)
Jason Feinberg
Lecturer in Music Industry (Digital Marketing and Promotion)
Jessica Schwartz
Associate Professor of Musicology, Music Industry (Punk and DIY)
Monica Chieffo
Lecturer in Music Industry (Influence and Data Mining)
Stig Edgren
Lecturer in Music Industry (Concerts and Live Events)
David MacFadyen
PROFESSOR OF MUSICOLOGY, MUSIC INDUSTRY, AND COMPARATIVE LITERATURE
Mark Tramo
Adjunct Associate Professor of Neuroscience (Music, Mind, and Brain)
Robert Beamer
Lecturer in Music Industry (Finance and Accounting)
Robert Fink
Chair of Music Industry Program, Professor of Musicology and Humanities (Music Theory, Analysis of Popular Music, Internships and Industry Partnerships)
Hans Fjellestad
Lecturer in Music Industry (Music Supervision)
Catherine Gregory
Lecturer in Music, Music Industry (Artistic Citizenship and Community Engagement), Director of the Gluck Fellowship Program
Adam Moseley
Lecturer in Music Industry (Studio Production)
Jonathan Beard
Lecturer - Electronic Music, Audio Engineering
Natasha Pasternak
Lecturer in Music Industry (Songwriting, Touring, Songwriter’s Workshop)
Kathryn Frazier
Lecturer in Music Industry
David Leaf
Adjunct Assistant Professor of Musicology, Music Industry (Music Documentary, Songwriters)
Tiffany Naiman
Director of Undergraduate Programs, Music Industry; Instructor, Music Industry & Musicology (Critical Perspectives, Capstone Sequence, History of Popular Music)
Lauren A. Spalding
Lecturer in Music Industry (Music and Activism, Artist Management)
Bobby Borg
Lecturer in Music Industry (Industry Fundamentals)

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