Marylin Winkle
Lecturer, Musicology

Marylin Winkle is a performer, scholar, and advocate. As Artistic Director of L.A. Camerata, she promotes the performance of works for and by women and “others” who have been underrepresented throughout history. She performs predominantly as a historical string player (baroque cello, violas da gamba, vielle), but also directs for the theatrical stage, including a recent world-premiere revival of Isabella Andreini’s La Mirtilla (1588). A passionate educator, Marylin believes fiercely in the power of the arts to affect lives and create change.

Marylin Winkle Publishes Rare Edition of Eighteenth-Century Cantata
School of Music musicologist Marylin Winkle has just published what promises to be the definitive version of Camilla de Rossi’s Fra Dori, e Fileno (c. 1710). Dulcamara Press, a company
Recovering Lost Stories in Early Music
It is tempting to fit diversity, equity, and inclusion (DEI) into a box labeled campus practice and politics. But for the Early Music Ensemble at The UCLA Herb Alpert School
Who's Invited to Early Music? A Mother's Take on Audience Inclusivity
By Marylin Winkle. Published in Early Music America. In addition to being a professional early-music ensemble director, performer, and educator, I am also a mom; juggling these jobs during a
Nina Eidsheim
Professor of Musicology and Humanities Founder and Director of UCLA PEER Lab
Joy H. Calico
Professor and Vice Chair of Musicology, Director of Graduate Studies
Holley Replogle-Wong
Lecturer in Musicology, Program Director of CMH
Mark Kligman
Professor of Musicology, Ethnomusicology, and Humanities; Mickey Katz Chair of Jewish Music; Director of Lowell Milken Center for Music of American Jewish Experience
Jessica Schwartz
Associate Professor of Musicology, Music Industry (Punk and DIY)
Tiffany Naiman
Director of Undergraduate Programs, Music Industry; Instructor, Music Industry & Musicology (Critical Perspectives, Capstone Sequence, History of Popular Music)
Raymond Knapp
Chair of Musicology, Distinguished Professor of Musicology and Humanities, Director of UCLA Center for Musical Humanities (CMH)
David MacFadyen
Nick DePinna
Adjunct Assistant Professor - Musicianship
Catherine Provenzano
Assistant Professor of Musicology, Music Industry (Critical and Contemporary Perspectives on Music Technology)
Thomas Hodgson
Assistant Professor of Musicology, Music Industry (Music and Data, Global Music Industry)
Robert Fink
Chair of Music Industry Program, Professor of Musicology and Humanities (Music Theory, Analysis of Popular Music, Internships and Industry Partnerships)
Cesar Favila
Associate Professor, Director of Undergraduate Studies
Elizabeth Randell Upton
Associate Professor of Musicology and Humanities

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