Cheryl L. Keyes
Professor; Ethnomusicology, Global Jazz Studies

Chair, Department of African American Studies

Cheryl L. Keyes is the author of Rap Music and Street Consciousness (University of Illinois Press), which received a CHOICE award for outstanding academic book titles. She has written numerous journal articles, essays, and reviews on hip-hop/rap and African American popular music. Amongst her most recent essay is “Long Live Hip-Hop: Hamilton and the Death (and Rebirth) of Hip-Hop” in the edited volume Dueling Grounds: Revolution and Revelation in the Musical Hamilton. Professor Keyes is also a member of the Executive Committee for the Smithsonian Folkways Recordings and the National Museum of African American History and Culture’s project, Smithsonian Anthology of Hip-Hop and Rap, and help “stewarded the selection of nine CDs consisting of 129 tracks and a 300-page book” along with additional writing for the Anthology. On other fronts, Professor Keyes has been featured in public facing platforms as a critic and cultural consultant for the television mini-series documentary, Death Row Chronicles (BET) and for DreamWorks Animation’s film, Trolls World Tour (Universal Pictures), respectively.

Keyes’s scholarship has advanced into other areas including producing, writing, and directing a documentary (short) called Beyond Central Avenue: Contemporary Female Jazz Instrumentalists of Los Angeles. In addition, she has served as musical director for the “Lady Jazz: Blues in the Summertime” concert, commissioned by Instrumental Women Project™ for its Lady Jazz summer concert series held at the John Anson Ford Amphitheatre and created and produced the concert Swinging to a World of Strings, presented at UCLA’s Schoenberg Auditorium and supported by the David and Irmgard Dobrow Fund.

In the area of performance, Professor Keyes is a pianist, flutist, singer, and composer with a list of credits. Most noted are performances with the All-Girl All-Star Invitational Band under the direction of the legendary jazz flugelhornist Clark Terry, and a featured artist-composer on The Other Side of Eddie Bo with New Orleans rhythm and blues icon Eddie Bo. She has recorded with jazz clarinetist-educator Alvin Batiste in which Keyes performs keyboards on Batiste’s debut album, Musique D’Afrique Nouvelle Orleans. She is a recipient of numerous awards: NAACP Image Award in the category of “Outstanding World Music Album” for her debut CD, Let Me Take You There (Keycan Records); Global Music Award Silver Medal for “Outstanding Achievement” for her double-single CD Hollywood and Vine (Keycan Records); and the Indiana University’s Herman C. Hudson Alumni Award.

Under leadership, Professor Keyes is currently chair of the Department of African American Studies at UCLA. She also holds a post on the Editorial Advisory Board for Society of Americanists Review (SOAR), the flagship journal for the Society of Americanists, and currently serves as chair of the Program Committee for the 2021 66th Annual Meeting for the Society for Ethnomusicology (SEM). Keyes has formerly served in other capacities. Among these include President of the US Branch of the International Association for the Study of Popular Music (IASPM-US); member of the Board of Directors for the SEM; chair of the Faculty Executive Committee for the School of Arts and Architecture at UCLA; Chair of the Faculty Advisory Committee for the Ralph J. Bunche Center for African American Studies at UCLA; Inaugural Associate Dean for Equity, Diversity, and Inclusion for the UCLA Herb Alpert School of Music; Director of Graduate Studies and Vice Chair for the Department of Ethnomusicology; and Chair of the Graduate Student and Postdoctoral Scholar Well-Being Sub-Committee for the UCLA Academic Senate Graduate Council.

African American music; rap/hip-hop music; gender in jazz and popular music studies; vernacular music and performance.

Ph.D. Ethnomusicology/Folklore, Indiana University; M. M.E. Music Education, Indiana University; B.M.E. Music Education, Xavier University of Louisiana

Cheryl Keyes hits the right notes with Smithsonian anthology of rap music
Cheryl Keyes was in the sixth grade, watching her older brother perform in a high school band concert, when she decided what instrument she would play: the flute. She was
Work which received its world premiere at UCLA wins 2018 Global Music Awards Gold Medal
American composer Earl Louis Stewart has won a 2018 Global Music Awards Gold Medal in the category Counterpoint Classical/Jazz for his composition Homage to Swing (Identity 158), which received its
Roger Savage
Professor and Chair of Ethnomusicology
Mohsen Mohammadi
Director of Indo-Persian Music
I Nyoman Wenten
Adjunct Assoc. Professor
Rahul Neuman
Continuing Lecturer
Supeena Adler
World Music Instrument Curator and Conservator; Director, Music of Thailand Ensemble; Adjunct Associate Professor
Nick DePinna
Adjunct Assistant Professor--Musicianship
Mark Kligman
Professor of Musicology, Ethnomusicology, and Humanities; Mickey Katz Chair of Jewish Music; Director of Lowell Milken Center for Music of American Jewish Experience
Armen Adamian
Instructor of Armenian Woodwinds; Ph.D. Student in Ethnomusicology
Münir Beken
Associate Professor
Steven Loza
Director of the UCLA Center for Latino Arts; Professor and Chair of Global Jazz Studies
Chi Li
Adjunct Professor
Melissa Bilal
The Promise Chair in Armenian Music, Arts, and Culture; Director of Armenian Music Program

Explore Other Degrees

Graduate study and training in choral, orchestral, or wind conducting
The study of global musical traditions through performance training, research, and field work
Global Jazz Studies
Jazz performance and musicianship courses are paired with African American Studies
Music Composition
Mentorship in the creation and realization of music for concerts, opera, and visual media
Music Education
Preparation for music educators leading to a BA and teaching credential in just four years
Music Industry
A leadership-focused professional degree which prepares students to transform the creative, entrepreneurial, and executive structures of the music industry
The scholarly study of the histories, cultures, and critical interpretations of music and music-making
Music Performance
Study and training towards professional performance careers in Western classical music