Allison Wolfe
Lecturer - Music Industry (Music Journalism, Audio Storytelling)

Allison Wolfe co-founded the fanzine Girl Germs, all-girl band Bratmobile, third-wave feminist punk movement Riot Grrrl, and non-profit music festival Ladyfest. She holds a master’s degree from the USC Annenberg School for Communication and Journalism where she was an Annenberg Fellow in the Specialized Journalism (The Arts) program. Wolfe produces a podcast, I’m in the Band, which explores an artist’s journey through personal history, musical awakening, and cultural activism. Her freelance audio and written pieces have appeared in LAist/KPCC, Tidal, Bust, Smithsonian Folklife, No Depression, Talkhouse, Women Who Rock, New York Press, BB Gun, and more. Previously, Wolfe worked in print media at the Washington Post, Sculpture magazine, VIZ Media, and Prism/ASEE. She has made public speaking appearances at Stanford, Smithsonian Libraries, Smithsonian Folklife, ALOUD/LA Central Library, LA Art Book Fair, LA Times Festival of Books, UCLA, USC, Ludlow House, Neuehouse, House of Vans, Museum of Pop Culture, Otis College, University of Cincinnati, LA Zine Fest, West Hollywood City Council Chambers, and Universidad Nacional Autonoma de Mexico. Wolfe continues to sing in bands, DJ, teach, and work on an oral history of Riot Grrrl.

Stig Edgren
Lecturer - Music Industry
Jeffery Jampol
Lecturer - Music Industry (Artist Management and Promotion)
Tony Brancato
Guest Lecturer - Music Industry (Influence and Data Mining)
Adam Moseley
Lecturer - Music Industry (Studio Production)
Tiffany Naiman
Instructor - Music Industry & Musicology (Critical Perspectives, Capstone Sequence, History of Popular Music), Director of Undergraduate Programs in Music Industry
Catherine Gregory
Lecturer - Music, Music Industry (Artistic Citizenship and Community Engagement), Director of the Gluck Fellowship Program
Judith Finell
Adjunct Professor - Musicology and Music Industry (Forensic Musicology)
Lauren A. Spalding
Lecturer - Music Industry (Music and Activism, Artist Management)
Jonathan Beard
Lecturer - Music Industry (Electronic Music, Audio Engineering)
Catherine Provenzano
Assistant Professor - Musicology and Music Industry (Critical and Contemporary Perspectives on Music Technology)
Bobby Borg
Lecturer - Music Industry (Industry Fundamentals)
David MacFadyen
Professor and Chair of Music Industry, Professor - Musicology and Comparative Literature
David Leaf
Adjunct Assistant Professor - Musicology and Music Industry (Music Documentary, Songwriters)
Dawnyelle Addison
Manager - Music Industry Program
Mark Tramo
Adjunct Associate Professor - Neuroscience and Music Industry (Music, Mind, and Brain)
Jessica Schwartz
Associate Professor - Musicology and Music Industry (Punk and DIY)
Kathryn Frazier
Lecturer - Music Industry
Don Franzen
Adjunct Professor - Music Industry (Music and Law, Forensic Musicology)
Dae Bogan
Lecturer - Music Industry (Entrepreneurship)
Lee John
Lecturer in Music Industry (Rock/Pop Ensemble)
Thomas Hodgson
Assistant Professor - Musicology and Music Industry (Music and Data, Global Music Industry)
Hans Fjellestad
Lecturer - Music Industry (Music Supervision)
Chyna Ellis
Assistant to the Chair - Music Industry Program
Robert Beamer
Lecturer - Music Industry (Finance and Accounting)
Natasha Pasternak
Lecturer - Music Industry (Songwriting, Touring, Songwriter’s Workshop)
Robert Fink
Associate Dean for Academics, Professor - Music Industry, Musicology and Humanities (Music Theory, Analysis of Popular Music, Internships and Industry Partnerships)
Amy Kathryn Kuney
Lecturer - Music Industry (Songwriting)
Justin Paul
Lecturer - Music Industry
Monica Chieffo
Lecturer - Music Industry (Influence and Data Mining)
Lauren Kop
Lecturer - Music Industry (Digital Production and Beat Design)
Jason Feinberg
Lecturer - Music Industry (Digital Marketing and Promotion)

Explore Other Degrees

Conducting
Graduate study and training in choral, orchestral, or wind conducting
Ethnomusicology
The study of global musical traditions through performance training, research, and field work
Global Jazz Studies
Jazz performance and musicianship courses are paired with African American Studies
BA
Music Composition
Mentorship in the creation and realization of music for concerts, opera, and visual media
Music Education
Preparation for music educators leading to a BA and teaching credential in just four years
BA
Music Industry
A leadership-focused professional degree which prepares students to transform the creative, entrepreneurial, and executive structures of the music industry
Musicology
The scholarly study of the histories, cultures, and critical interpretations of music and music-making
Music Performance
Study and training towards professional performance careers in Western classical music