Jessica Schwartz
Associate Professor - Musicology and Music Industry (Punk and DIY)

Jessica A. Schwartz approaches research on musical representations and sonic histories of militarization and imperial violence through community-focused collaborations, movements, and creative dissent. Schwartz is the author of Radiation Sounds: Marshallese Music and Nuclear Silences (Duke University Press, 2021) and articles in American Quarterly, Music & Politics, Women & Musicthe Journal of American Music, Punk & Post-Punk, the Journal of Transnational American Studies, Journal of Interdisciplinary Voice StudiesAmerasia, Shima, Riffs: Experimental Writing on Popular Music, among others, which showcase her work on American studies, Pacific studies, environmental anthropology, and Indigenous studies. As a disability scholar, Schwartz interrogates institutional, intersectional ableism and workshops radical accessibility in and beyond the classroom in courses such as “DIY: Punk Organizing as Social Justice” and “Unsettling Pedagogies: Music & Education.” Schwartz’s hosts the Punkast Series (podcast), is the cofounder/Academic Advisor of the Marshallese Educational Initiative, an Arkansas-based non-profit, and plays in noise/punk bands.

Jessica Schwartz: Professor of Punk
On a sunny Tuesday morning, students shuffling into the Jan Popper Theater were handed a five-question quiz. One of the questions asked students to listen to a short clip of a
Lauren A. Spalding
Lecturer - Music Industry (Music and Activism, Artist Management)
Natasha Pasternak
Lecturer - Music Industry (Songwriting, Touring, Songwriter’s Workshop)
Jeffery Jampol
Lecturer - Music Industry (Artist Management and Promotion)
David Leaf
Adjunct Assistant Professor - Musicology and Music Industry (Music Documentary, Songwriters)
Lee John
Lecturer in Music Industry (Rock/Pop Ensemble)
Dawnyelle Addison
Manager - Music Industry Program
Catherine Provenzano
Assistant Professor - Musicology and Music Industry (Critical and Contemporary Perspectives on Music Technology)
Thomas Hodgson
Assistant Professor - Musicology and Music Industry (Music and Data, Global Music Industry)
Catherine Gregory
Lecturer - Music, Music Industry (Artistic Citizenship and Community Engagement), Director of the Gluck Fellowship Program
Adam Moseley
Lecturer - Music Industry (Studio Production)
Jason Feinberg
Lecturer - Music Industry (Digital Marketing and Promotion)
Robert Beamer
Lecturer - Music Industry (Finance and Accounting)
Robert Fink
Associate Dean for Academics, Professor - Music Industry, Musicology and Humanities (Music Theory, Analysis of Popular Music, Internships and Industry Partnerships)
Tony Brancato
Guest Lecturer - Music Industry (Influence and Data Mining)
Lauren Kop
Lecturer - Music Industry (Digital Production and Beat Design)
Tiffany Naiman
Instructor - Music Industry & Musicology (Critical Perspectives, Capstone Sequence, History of Popular Music), Director of Undergraduate Programs in Music Industry
Amy Kathryn Kuney
Lecturer - Music Industry (Songwriting)
Don Franzen
Adjunct Professor - Music Industry (Music and Law, Forensic Musicology)
Kathryn Frazier
Lecturer - Music Industry
Hans Fjellestad
Lecturer - Music Industry (Music Supervision)
Monica Chieffo
Lecturer - Music Industry (Influence and Data Mining)
Bobby Borg
Lecturer - Music Industry (Industry Fundamentals)
Allison Wolfe
Lecturer - Music Industry (Music Journalism, Audio Storytelling)
Mark Tramo
Adjunct Associate Professor - Neuroscience and Music Industry (Music, Mind, and Brain)
Judith Finell
Adjunct Professor - Musicology and Music Industry (Forensic Musicology)
David MacFadyen
Professor and Chair of Music Industry, Professor - Musicology and Comparative Literature
Stig Edgren
Lecturer - Music Industry
Chyna Ellis
Assistant to the Chair - Music Industry Program
Dae Bogan
Lecturer - Music Industry (Entrepreneurship)
Jonathan Beard
Lecturer - Music Industry (Electronic Music, Audio Engineering)
Justin Paul
Lecturer - Music Industry

Explore Other Degrees

Conducting
Graduate study and training in choral, orchestral, or wind conducting
Ethnomusicology
The study of global musical traditions through performance training, research, and field work
Global Jazz Studies
Jazz performance and musicianship courses are paired with African American Studies
BA
Music Composition
Mentorship in the creation and realization of music for concerts, opera, and visual media
Music Education
Preparation for music educators leading to a BA and teaching credential in just four years
BA
Music Industry
A leadership-focused professional degree which prepares students to transform the creative, entrepreneurial, and executive structures of the music industry
Musicology
The scholarly study of the histories, cultures, and critical interpretations of music and music-making
Music Performance
Study and training towards professional performance careers in Western classical music