Monica Chieffo
Lecturer in Music Industry (Influence and Data Mining) , Music Industry

Monica is a versatile professional whose experience spans industry and academia as a client partnership strategist, musicologist, harpist, and educator. She is currently working in the immersive technology space with a focus on augmented reality for marketing and branding. Her research interests include music and visual culture, the sensory history of sound, music and disability, and digital consumption in the music industry.

A seasoned instructor, Monica held the position of Teaching Fellow in the Department of Musicology at UCLA where she designed and taught a wide range of course materials about music and society. She also served as a consulting musicologist on various projects, including for two award-naming committees for The Recording Academy. As a harpist, Monica regularly gigs in the Southern California area for special events, celebrity clients, and LA-based artists. She was recently featured as harpist on the multi-media work, Ladies’ Lair Lake, by Trulee Hall that premiered at the Los Angeles County Museum of Art. Her harp playing also appears on the Grammy-nominated recording “Fourth Stream … La Banda,” composed by Bill Cunliffe.

Monica’s scholarly publications include a chapter in Experiencing Music and Visual Cultures published by Routledge Press (2021) and the Journal of Interdisciplinary Voice Studies (2019).

David Leaf
Adjunct Assistant Professor of Musicology, Music Industry (Music Documentary, Songwriters)
Stig Edgren
Lecturer in Music Industry (Concerts and Live Events)
Dae Bogan
Lecturer in Music Industry (Entrepreneurship)
Tiffany Naiman
Director of Undergraduate Programs, Music Industry; Instructor, Music Industry & Musicology (Critical Perspectives, Capstone Sequence, History of Popular Music)
Jeffery Jampol
Lecturer in Music Industry (Artist Management and Promotion)
Mark Tramo
Adjunct Associate Professor of Neuroscience (Music, Mind, and Brain)
Allison Wolfe
Lecturer in Music Industry (Music Journalism, Audio Storytelling)
Justin Paul
Lecturer in Music Industry
Jonathan Beard
Lecturer - Electronic Music, Audio Engineering
Jason Feinberg
Lecturer in Music Industry (Digital Marketing and Promotion)
Lauren A. Spalding
Lecturer in Music Industry (Music and Activism, Artist Management)
Robert Beamer
Lecturer in Music Industry (Finance and Accounting)
Bobby Borg
Lecturer in Music Industry (Industry Fundamentals)
Kathryn Frazier
Lecturer in Music Industry
Catherine Provenzano
Assistant Professor of Musicology, Music Industry (Critical and Contemporary Perspectives on Music Technology)
Lee John
Lecturer in Music Industry (Rock/Pop Ensemble)
Lauren Kop
Lecturer in Music Industry (Digital Production and Beat Design)
Catherine Gregory
Lecturer in Music, Music Industry (Artistic Citizenship and Community Engagement), Director of the Gluck Fellowship Program
David MacFadyen
Amy Kathryn Kuney
Lecturer in Music Industry (Songwriting)
Adam Moseley
Lecturer in Music Industry (Studio Production)
Jessica Schwartz
Associate Professor of Musicology, Music Industry (Punk and DIY)
Hans Fjellestad
Lecturer in Music Industry (Music Supervision)
Tony Brancato
Guest Lecturer in Music Industry (Influence and Data Mining)
Natasha Pasternak
Lecturer in Music Industry (Songwriting, Touring, Songwriter’s Workshop)
Judith Finell
Adjunct Professor in Musicology (Forensic Musicology)
Thomas Hodgson
Assistant Professor of Musicology, Music Industry (Music and Data, Global Music Industry)
Robert Fink
Chair of Music Industry Program, Professor of Musicology and Humanities (Music Theory, Analysis of Popular Music, Internships and Industry Partnerships)
Don Franzen
Adjunct Professor of Music (Music and Law, Forensic Musicology)

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