Tiffany Naiman
Director of Undergraduate Programs, Music Industry; Instructor, Music Industry & Musicology (Critical Perspectives, Capstone Sequence, History of Popular Music); Music Industry, Musicology

Tiffany Naiman is the Director of Music Industry Programs and an Assistant Teaching Professor at UCLA’s Herb Alpert School of Music, as well as a lecturer in the Musicology department. She is a scholar of popular music, temporality, and disability studies. She currently serves as co-chair of the LGBTQ Study Group of the American Musicological Society. Tiffany has developed specialization as a David Bowie scholar and her work is published in Blackstar Rising, Purple Rain (Duke University Press, 2024), The Bloomsbury Handbook of Popular Music Video Analysis (Bloomsbury, 2019), David Bowie: Critical Perspectives (Routledge, 2015), and Enchanting David Bowie: Space/Time/Body/Memory (Bloomsbury, 2015).

Tiffany is also a DJ and electronic musician performing under the moniker NeonGray; the experimental film and music Senior Programmer for Outfest Los Angeles; manager of musical artist Cusses; creator of a multiplicity of club nights and one-off musical events in Los Angeles, San Francisco, and Philadelphia; and an award-winning documentary film producer. Tiffany serves on the boards of FEMME HOUSE, The 100 Percenters, and Theatre Exile.

David MacFadyen
PROFESSOR OF MUSICOLOGY, MUSIC INDUSTRY, AND COMPARATIVE LITERATURE
Dae Bogan
Lecturer in Music Industry (Entrepreneurship)
Stig Edgren
Lecturer in Music Industry (Concerts and Live Events)
Lauren A. Spalding
Lecturer in Music Industry (Music and Activism, Artist Management)
Robert Fink
Chair of Music Industry Program, Professor of Musicology and Humanities (Music Theory, Analysis of Popular Music, Internships and Industry Partnerships)
Thomas Hodgson
Assistant Professor of Musicology, Music Industry (Music and Data, Global Music Industry)
Adam Moseley
Lecturer in Music Industry (Studio Production)
Catherine Gregory
Lecturer in Music, Music Industry (Artistic Citizenship and Community Engagement), Director of the Gluck Fellowship Program
Bobby Borg
Lecturer in Music Industry (Industry Fundamentals)
Judith Finell
Adjunct Professor in Musicology (Forensic Musicology)
David Leaf
Adjunct Assistant Professor of Musicology, Music Industry (Music Documentary, Songwriters)
Jessica Schwartz
Associate Professor of Musicology, Music Industry (Punk and DIY)
Mark Tramo
Adjunct Associate Professor of Neuroscience (Music, Mind, and Brain)
Lauren Kop
Lecturer in Music Industry (Digital Production and Beat Design)
Tony Brancato
Guest Lecturer in Music Industry (Influence and Data Mining)
Jeffery Jampol
Lecturer in Music Industry (Artist Management and Promotion)
Allison Wolfe
Lecturer in Music Industry (Music Journalism, Audio Storytelling)
Kathryn Frazier
Lecturer in Music Industry
Lee John
Lecturer in Music Industry (Rock/Pop Ensemble)
Jason Feinberg
Lecturer in Music Industry (Digital Marketing and Promotion)
Hans Fjellestad
Lecturer in Music Industry (Music Supervision)
Monica Chieffo
Lecturer in Music Industry (Influence and Data Mining)
Don Franzen
Adjunct Professor of Music (Music and Law, Forensic Musicology)
Jonathan Beard
Lecturer - Electronic Music, Audio Engineering
Catherine Provenzano
Assistant Professor of Musicology, Music Industry (Critical and Contemporary Perspectives on Music Technology)
Natasha Pasternak
Lecturer in Music Industry (Songwriting, Touring, Songwriter’s Workshop)
Robert Beamer
Lecturer in Music Industry (Finance and Accounting)
Amy Kathryn Kuney
Lecturer in Music Industry (Songwriting)

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