Hans Fjellestad
Lecturer in Music Industry (Music Supervision) , Music Industry

Los Angeles filmmaker/musician Hans Fjellestad has produced and shot on location throughout the U.S., Canada, Mexico, UK, Europe, Australia, Japan, Afghanistan and Haiti filming hundreds of interviews and numerous concerts, live events and documentary film projects. His award-winning work has screened in theaters and festivals worldwide and on Showtime, ABC, Netflix, MTV, Sony M-ON! Japan, Adult Swim, Amazon Prime, Virgin Produced Channel, Arte, BET, PBS and BBC.

Hans directed/produced the feature-length documentary films Sunset Strip (2012), Moog (2004), Radio Caroline (2018), Sounding the Space (2014), When the World Breaks (2010), Frontier Life (2002) and was writer/producer for The Heart is a Drum Machine (2009), M-ON! Monthly Icon: L’Arc-en-Ciel (2012), Rock Camp (2021). His video production work also includes projects for Mode Records, GLAAD, Health Corps Haiti, Not Real Art, Rock and Roll Fantasy Camp, California Roots Festival. He is lead producer at arts-oriented media production house Crewest Studio.

As faculty lecturer at UCLA Herb Alpert School of Music since 2015, Hans specializes in music supervision for visual media. He has also lectured at Columbia University, Amherst College, San Francisco Art Institute, McGill University, Institute of Contemporary Arts London, Centre for Contemporary Arts Glasgow, National Taiwan University, Yebisu Music Conference Tokyo, Mexico’s Centro Universitario de Estudios Cinematográficos, Universidad del Claustro de Sor Juana in Mexico City, Palomar College, Miami Art Central, Centro Cultural Tijuana and Museum of Contemporary Art San Diego.

A classically trained pianist, Hans studied music at UCSD (BA in Music, 1993) and has composed original scores for theater, dance and film. He has recorded and performed extensively, touring in over a dozen countries. He was artist-in-residence at the Steve Allen Theater in Hollywood 2008-2011, where he curated and hosted the live music series ResBox, and is a recording artist/partner at independent music label Accretions.

Stig Edgren
Lecturer in Music Industry (Concerts and Live Events)
Jonathan Beard
Lecturer - Electronic Music, Audio Engineering
Judith Finell
Adjunct Professor in Musicology (Forensic Musicology)
Tiffany Naiman
Director of Undergraduate Programs, Music Industry; Instructor, Music Industry & Musicology (Critical Perspectives, Capstone Sequence, History of Popular Music)
Catherine Provenzano
Assistant Professor of Musicology, Music Industry (Critical and Contemporary Perspectives on Music Technology)
Jason Feinberg
Lecturer in Music Industry (Digital Marketing and Promotion)
Bobby Borg
Lecturer in Music Industry (Industry Fundamentals)
Thomas Hodgson
Assistant Professor of Musicology, Music Industry (Music and Data, Global Music Industry)
Dae Bogan
Lecturer in Music Industry (Entrepreneurship)
Jessica Schwartz
Associate Professor of Musicology, Music Industry (Punk and DIY)
Robert Fink
Chair of Music Industry Program, Professor of Musicology and Humanities (Music Theory, Analysis of Popular Music, Internships and Industry Partnerships)
Tony Brancato
Guest Lecturer in Music Industry (Influence and Data Mining)
Amy Kathryn Kuney
Lecturer in Music Industry (Songwriting)
Natasha Pasternak
Lecturer in Music Industry (Songwriting, Touring, Songwriter’s Workshop)
Monica Chieffo
Lecturer in Music Industry (Influence and Data Mining)
Adam Moseley
Lecturer in Music Industry (Studio Production)
Justin Paul
Lecturer in Music Industry
David Leaf
Adjunct Assistant Professor of Musicology, Music Industry (Music Documentary, Songwriters)
Kathryn Frazier
Lecturer in Music Industry
Lauren A. Spalding
Lecturer in Music Industry (Music and Activism, Artist Management)
Lauren Kop
Lecturer in Music Industry (Digital Production and Beat Design)
Mark Tramo
Adjunct Associate Professor of Neuroscience (Music, Mind, and Brain)
Jeffery Jampol
Lecturer in Music Industry (Artist Management and Promotion)
David MacFadyen
Catherine Gregory
Lecturer in Music, Music Industry (Artistic Citizenship and Community Engagement), Director of the Gluck Fellowship Program
Robert Beamer
Lecturer in Music Industry (Finance and Accounting)
Allison Wolfe
Lecturer in Music Industry (Music Journalism, Audio Storytelling)
Don Franzen
Adjunct Professor of Music (Music and Law, Forensic Musicology)
Lee John
Lecturer in Music Industry (Rock/Pop Ensemble)

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